[S4E1] Criminal Nature UPD
Having rededicated himself to church life, Season 4's premiere marks the first day of the rest of Sidney Chamber's life. Sermons on Sunday, Church upkeep on Tuesdays, Jazz records on Fridays, with criminal busting thrown in to break up the monotony. But that all changes when Sidney heads to hear a talk on "Religion's Role in the Civil Rights Movement." There, he and Leonard (Al Weaver) run into Will Davenport, Chambers' replacement as the new Chaplain of Corpus Christi. But Sidney's attention isn't caught by Davenport, or American Civil Rights advocate Rev. Nathaniel Todd (Paterson Joseph), but rather his daughter, Violet Todd (Simona Brown).
[S4E1] Criminal Nature
The Todds have been receiving threatening letters from The Phineas Society, most of which are aimed at Violet. Turns out they are from Gregory Jones (Dominic Herman-Day), who made the group up in order to impress girls. (He set off the fireworks too.) But when someone breaks into the house where the Todds are staying, Chambers moves them bag and baggage into the vicarage, giving him and Violet a chance for a heart to heart over the nature of prejudice. The chemistry between them is as fantastic as Brown's "American Southern" accent is painful, and leaves little doubt as to how Sidney will be tempted away from the church for good.
As this premiere aired in the U.K. as two separate episodes, the mystery is over with half an episode to go. The Todds have gone, leaving Sidney drowning his sorrows at levels heretofore unseen, as Geordie worries that his chasing down criminals is a redirected suicidal urge. He's not the only one worried, and Mrs. Chapman (Tessa Peake-Jones) and Leonard even attempt to stage an intervention. Meanwhile, Geordie has a new DI moving in, Sean Donovan (Felix Scott), with whom he'll be sharing an office. Ch-ch-ch-ch-changes!
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This episode, in contrast to many others, is primarily concerned with the victims who are imprisoned in an underground cellar instead of the unsub. Additionally, human nature and the lengths people would go to in order to survive are what makes this episode so haunting.
The Closer is an American police drama starring Kyra Sedgwick, who plays a Deputy Chief of Police at the LAPD. Sedgwick plays Brenda Leigh Johnson, an ex-CIA interrogator. She is a southern belle and her easy going charm has surprised more than one criminal during an interrogation. She always gets the bad guys. She was put in charge of the Priority Homicide division of the LAPD.
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The Belchers decide to camp when Tina needs to make up for a camping trip her Thundergirls troop took when she ended up getting sick. A nighttime skinny-dipping adventure of Bob and Linda's leaves them swept away by a river, and they need to walk through the woods naked to find their kids while the kids are trying to find them as well.A River Runs Through Tropes: Affectionate Parody: Bob and Linda's story is a Whole-Plot Reference to the premise of Naked and Afraid.
Bee-Bee Gun: Tina weaponizes a beehive against the Crazy Survivalists.
Bond One-Liner: After Tina uses the survivalist book to weaponize bees against the survivalists, she recites the page she saw it from.Tina: Page 17.
Chekhov's Classroom: A line in the survivalists' book claims insects can and should be weaponized, which Tina later uses the pre-established beehive (itself a Chekhov's Gun) to accomplish. Both Tina and the survivalists lampshade it.
Chekhov's Gun: The beehive next to the Belchers' camping site is used by Tina to drive the survivalists out of their camper and allow Bob and Linda to escape.
Chuck Cunningham Syndrome: The Thundergirls debut here, but their sole representative is Troop 39, who never appears again as the rest of the Thundergirl-focused episodes focus on Troops 119 and 257.
Crazy Survivalist: The Belchers camp next to a couple of doomsday preppers. Who turn out to be a little... off. Louise is pretty quick to get into their literature.
Deadpan Snarker: Linda calls Bob on his (lack of) nature survivalism, which results in his food poisoning."Oh, okay, you didn't eat a raw trout that didn't make you poop and barf your way through the forest like some kind of disgusting Hansel and Gretel."
Everyone Has Standards: As gung-ho as Bob is about camping, when Tina lists off all the "fun" activities the family can do Bob is quick to tell Linda they don't have to do any of that stuff.
Eye Scream: The survivalists spray bear mace into each others' eyes at the end of the episode.
The Food Poisoning Incident: Bob undercooks his trout and spends most of the episode firing from both ends.
Hoist by His Own Petard: The survivalists are taken out by advice from their own book. They even lampshade it.
Honor Before Reason: When the kids stumble onto a Thundergirl camp, the troop leader realizes that they're alone and asks if they want to camp with them for the night. Given Louise just ranted about how organizations like the Thundergirls are soul-stealing...Louise: I'D RATHER DIE!
Horrible Camping Trip: For Bob and Linda, who become separated from the kids and go through hell reuniting with them.
Know-Nothing Know-It-All: Bob repeatedly states he's a natural camper when he really, really is not. He has no idea what to do in nature and pushes back when Linda turns out to be the natural camper in the family.
Look, a Distraction!: Bob tricks Linda into looking away while sick from the trout he ate, first with a pelican and another with Patrick Duffy.
No Name Given: Neither of the Crazy Survivalists are named. The end credits list them as "RV Guy" and "RV Girl", but that's as close as it gets.
Pop-Culture Pun Episode Title: It's a Shout-Out to A River Runs Through It.
Red Herring: The episode starts with a strange ranger giving terrible information to the Belchers, and hinting that the camping site has become dangerous, with either bears or squirrels, before he suspiciously drives away while the kids look worried. While squirrels show up in a one-off gag, they aren't as relevant to the plot as the beginning hinted at.
Sacrificial Lion: Discussed; Louise believes that because Nature Is Not Nice at least one of the kids (she singles out Gene) isn't gonna make it through the night.
Shout-Out: The exterminator van is "The Great Ratsby".
Skinny Dipping: Bob and Linda try to do this, and it's what leads to them being sent down the river when the ring of rocks they're bathing in breaks away.
Toilet Humor: Bob spends much of the episode having to run off to puke and/or take a crap thanks to getting food poisoning from eating under-cooked fish he insisted on catching and cooking over a campfire.
In 1950, biracial Kansas City schoolgirl Ethelrida Smutny reads the opening of her history report in a voiceover, in which she quotes Frederick Douglass and makes the point that black people were considered criminals the instant they set foot in America. As she reads, she is sent to be disciplined by Principal Criscoe and watches another black student be paddled and then forced to shake hands with him. As he leaves, she is called in to go next. As she limps back to class, she details the history of organized crime in Kansas City.
Sharon as the MCD's Commanding Officer is very different from Brenda Leigh Johnson. Whereas Brenda was a very hands-on leader and investigator due to her background in the state department and the CIA, Sharon is more administrative in nature, trusting that her detectives can handle standard day-to-day operations without constant oversight. This can be seen in the fact that while Brenda responded to every crime the MCD was called to, Sharon only responds to crimes that are particularly gruesome or higher profile than usual. The change in leadership style allowed Sharon and Provenza to reach something of an understanding, which meant that when the division is deployed on the field without Sharon, Provenza can be seen in a supervisory role and being in command of the division, something that he always wanted. Even when Sharon is present at a crime scene, she still defers to Provenza's expertise much of the time, causing them to develop a good working relationship.
At the same time, the Major Crimes Division is trying to wrap-up a murder investigation involving a big-time Hollywood director, a case that also falls to DDA Rios. Rios is eager to take the case to trial as she's confident she could win it, to which both Raydor and Taylor object to. Rios states to Taylor that she's never had detectives who oppose filing charges, though Taylor tells her that it's because she's not used to dealing with high-profile homicides and that current LAPD policy is helping the DA's Office make deals in order for the criminals to be sent straight to jail without expensive trials, and if Rios likes, he could call the District Attorney and ask if she is representing a new change in policy. 041b061a72